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“A feverish, fearless writer.” —Christine Schutt, author of All Souls, finalist for the 2009 Pulitzer Prize
“The Gospel of Anarchy is a beautiful, searching and sometimes brutally funny novel. Justin Taylor writes with fierce precision and perfect balance.” —Sam Lipsyte, author of The Ask
Following his critically acclaimed short story collection Everything Here Is the Best Thing Ever, Justin Taylor’s mesmerizing debut novel explores the eccentricities, insights, and unexpected grace found in a motley crew of off-beat anarchists, and their quest to achieve utopia in a crumbling Florida commune. In the vein of Chris Adrian, Padgett Powel, and Hunter Thompson, Taylor delivers a shrewd, cerebral, and often wickedly humorous vision of reality on every leaf of the mirthfully absurd The Gospel of Anarchy.
- Sales Rank: #1239711 in Books
- Published on: 2011-02-08
- Released on: 2011-02-08
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .58" w x 5.31" l, .42 pounds
- Binding: Paperback
- 240 pages
From Publishers Weekly
Among the malcontents in Taylor's narrow debut novel (after collection Everything Here Is the Best Thing Ever) is David, a Gainesville, Fla., college dropout with a dead-end job. After destroying his computer, he chances upon a pair of dumpster divers who appear to have more going on than he does, and so he follows them to a rundown punk house called Fishgut and quickly adopts the lifestyle, growing a beard and engaging in a relentless bout of three-ways with a couple of punk girls. They go to church together (partly for the free food) and end up forming their own cult based on the inscrutable writings of an anarchist named Parker who has disappeared from Fishgut. The Fishgut inner circle grows smaller and crazier as the crew pushes their new religion with a popular zine, though the events don't seem to build so much as pile up. Taylor can set a scene, but he takes his characters and their screwy subculture so seriously that you'd think he, himself, was a convert. With little attention paid to finding direction, the novel, like its characters, simply drifts. (Feb.)
(c) Copyright PWxyz, LLC. All rights reserved.
From Booklist
Taylor follows up the story collection, Everything Here Is the Best Thing Ever (2010), with a provocative debut novel depicting a Gainesville, Florida, swallowed by its university and an ever-developing string of chain stores and apartment complexes but in which a small but zealous group of anarchist punks rebels against corporate corruption and government oppression by rooting through dumpsters and stealing in order to survive. Enter David, a college dropout with nothing going for him but a dead-end telemarketing job and a porn addiction. Determined to shake his apathetic lifestyle, David runs into an acquaintance who invites him to Fishgut, a dilapidated house full of ruffians and hippies with utopian dreams of a world without rules. Quickly sloughing off his former self, David enters a dizzying new life of sexual liberty, drug- and alcohol-induced philosophizing, and rock and roll as he and his housemates await the return of Parker, a so-called Anarchristian whose left-behind journals serve as their gospel. Writing from various perspectives in a wholly captivating style, Taylor traces the delicate lines between freedom, spirituality, politics, and happiness, depicting a lifestyle both hopeful and flawed. --Jonathan Fullmer
Review
"You'll be blown away by this book, re-reading it for years to come." - Black Book
"The Gospel of Anarchy is a beautiful meeting of Don Delillo, Philip Roth and Aaron Cometbus." --Vol. 1 Brooklyn
"[A] beautiful book about human weakness and our desire to connect and grow,
our need for something bigger than ourselves." --Devourer of Books
"As in his story collection, Everything Here Is the Best Thing Ever, Taylor has a natural sense for what makes intelligent young people tick and, occasionally, drop out." --Time Out (Chicago)
"I've always thought that there was some really interesting narrative terrain in that weird intersection between freeganism and fundamentalism, and I'm glad to see Taylor got there before some schmuck wrecked it." --Matthew Derby
“A brilliant debut novel you have to read.” (Details)
“[A] thoughtful miniaturist with an intuitive knack for the well-chosen detail....Taylor’s noble goal is to remind those of us long past our own difficult youths of the grace and beauty to be found even in a ‘bunch of drunkpunks in the armpit of Florida.’” (New York Times Book Review)
“If Claire Messud’s The Emperor’s Children showed upper-class New Yorkers in the not-yet upended world before 9/11, this book does the same for the small-town anarchists, believers and the Burning Man-inclined.” (Los Angeles Times)
“Once again, Taylor blends the competing heat of religious fervor, threatening politics, and nihilistic sex, yielding dangerous results.” (Oxford American)
“Remember this name: Justin Taylor. You will hear it again. This young man, who was raised in South Florida, is an irrefutably talented writer. He is audacious, intelligently literate and fizzing with potential.” (Miami Herald)
“Gospel is a beautifully written, insanely intelligent, and ultimately moving novel....You’ll be blown away by this book, re-reading it for years to come. ” (BlackBook)
“Taylor is an undeniable talent with a contemporary voice that this new generation of skeptics has long awaited--a young champion of literature.” (New York Press)
“For those of us not mired in strange sub-sub-culture squalor, it can be a disconcerting read at times, but its looming questions and cracked worldview are sure to stick around in your consciousness, relentlessly stalking a ground they won’t give up anytime soon.” (Nylon Magazine)
“Taylor’s writing … is exceptionally good. Locally, the sentences are incisive and tumbling. But what’s even more powerful is the way those sentences accumulate into larger ideas.” (BookForum)
“These days, all the cool kids write about pharmaceuticals and cognitive science. In his first novel, The Gospel of Anarchy, Justin Taylor makes his attempt to diagnose the mal du si�cle by grappling with matters of faith.” (New York Observer)
“As in his story collection, Everything Here Is the Best Thing Ever, Taylor has a natural sense for what makes intelligent young people tick and, occasionally, drop out.” (Time Out Chicago)
“Taylor interweaves youthful dialogue with religious rhetoric, exploring what would happen if everyone did what was good for everyone, and the corporate world burned to the ground.” (Interview)
“Provocative…Writing from various perspectives in a wholly captivating style, Taylor traces the delicate lines between freedom, spirituality, politics, and happiness, depicting a lifestyle both hopeful and flawed.” (Booklist)
“Justin Taylor exposes the fine line between making life choices and living a deluded reality, deftly illustrating how taking things too far or too literally can distort their true meaning and intent.” (New York Journal of Books)
“Taylor, a Brooklyn-based author raised in Florida, writes dreamy recollections of swampy youth” (Village Voice)
“A cult emerges from a punk/hippie sanctuary in this mordant first novel….Taylor writes sex wonderfully well….[His] nimble analysis of these schisms recalls T.C. Boyle’s Drop City…” (Kirkus Reviews)
“The Gospel of Anarchy is a beautiful, searching and sometimes brutally funny novel. Justin Taylor writes with fierce precision and perfect balance: the acts and pronouncements of his freegan utopianists may seem hilarious and deranged at times, but Taylor treats their yearning with the seriousness it deserves.” (Sam Lipsyte, author of The Ask)
“A feverish, fearless writer, Justin Taylor delivers ‘blessed pleasure’ in translating the ‘baffling Christ babble’ in The Gospel of Anarchy, a novel whose shiftless characters, in search of completion and contentment, must wrestle with that prerequisite of faith: a willingness to believe in the unseen.” (Christine Schutt, author of All Souls, finalist for the 2009 Pulitzer Prize)
“I’ve always thought that there was some really interesting narrative terrain in that weird intersection between freeganism and fundamentalism, and I’m glad to see Taylor got there before some schmuck wrecked it.” (Matthew Derby, author of Super Flat Times)
“A new voice that readers--and writers too--might be seeking out for decades to come.” (New York Times Book Review)
Most helpful customer reviews
5 of 6 people found the following review helpful.
cliche-ridden disappointment
By profbty
I read an advance-copy of this book eagerly. I was immediately taken in by the writing of the plight of the narrator. But the book ends up telling the same-old story about young radicals: they are foolish innocents taken in by there own naivite and are filled with contradictions. do we really need another book to tell us that young radicals can be hypocrites? Read Newman's "Fountain at the Center of the World" for a novel that doesn't traffic in the same old complaints. it's easy to mock young radicals -- what's more critical in for our society is to realize what lessons we have to learn from those who believe "another world is possible."
4 of 6 people found the following review helpful.
(3.5 stars) "What would anarchy look like if we just started calling it truth?"
By Luan Gaines
We do love our literary bad boys and Taylor jumps into the mix with his protagonist, David, in 1999 Gainesville, Florida. A recent college drop-out with a soul-killing job, the sterile walls of David's on-campus apartment yield no clues to his interior life- or lack of. Loneliness has driven the twenty-one year old to the flickering screen of his laptop, where he has mastered the Zen of pornography, the "gleeful gilding of the filth" simply one more scam of web sites and prurient appetites, the parade of faceless women as unsubstantial as their virtual names, ghosts trapped in cyber-space. As David wanders the streets of something, anything, he stumbles upon a pair of dumpster divers, ex-students who lead him to their house, Fishgut, and temporary nirvana.
Inside, David's chronic state of alienation from the world and himself finds temporary reprieve, a loose-knit band of hippies, punks and anarchists who breach the boundaries of religion, politics and the false prophets of their world. As Katy, a kind of earth mother libertine, runs her fingers through David's hair and that of her lover, Liz, David can barely keep from crying: He realizes how long it's been since he's been touched. For all the intellectual distractions, political diatribes and search for God in an indifferent world, it is the human contact that feeds David's soul. Katy and Liz provide that contact in excess. From the David's biting commentary on the labyrinthine and deceptive temptations of pornography to the ultimate betrayal of a girl he really cared about, David's demoralization is complete, his psyche ready for the chance encounter at the dumpster.
David wallows in this nest of rebellious ideas and dirty sheets, tangentially intrigued by the quest to comprehend the Divine, testing his commitment to abandon while living in filth and dining on stranger's discarded garbage. This parallel existence meets his needs- for a time. But even this anti-world evolves, made smaller in its familiarity, albeit wrapped in drug-fueled intellectual pursuits. Absorbed into the bohemian laxity of Katy and Liz's easy affection, anarchy turns complacent, people coming and going on impulse, their putative "leader", a mysterious hobo who has long since moved on, remembered only by a tent left in the back yard. While David transitions from one dimension to another, in thrall to the changed parameters of his existence and rapturously indulging in the wonders of the flesh and the mind, Taylor leaves the reader behind to languish with the long-gone hobo's empty tent. Taylor is certainly a writer to watch. But in the end, it is the title I like best. Luan Gaines/2011.
5 of 8 people found the following review helpful.
Voyuerism and Straw Men
By Gregory Souza
I took this book out of my library, to round out some heavy reading, based solely on the title.
Deep disappointment and disdain are my primary reactions to this pretty lazy and pablum piece of writing. Actually I think this might be the thing that finally forces me to publish my own writing. I found the language to be painfully self-conscious but insufficiently glorious. You can tell Justin feels like he is capital-W Writing A Book, but the sentences come across as lazy and cribbed. You'd think in his fetishization of Katy he would have learned from her, but his words tend to just reference great works rather than become great. They are not great, giving, incandescent or orgasmic.
I think American Book Review disdainfully accuses Taylor, from its pedestal of class privilege, of sort of 'going native' with "the Anarchists" and therefore losing that precious deluded concept of objectivity so prized in our sick society. Well, I'll be a voice representing someone who gets lumped in with said "Anarchists" (note that there is no way to represent or stand as a voice for people who consciously refuse mediation and representation in social interaction): he fails utterly to actually join in the spirit of the things he is describing.
If anything like this actually happened, as he implies in the afterword, he was a tourist to it and it left him mostly unaffected. This is fetishization people, Taylor is just romanticizing without embracing or learning. As someone who is immersed in polyamorous relationships, I do sincerely appreciate the attempt at positive representation, but the emotional descriptions seem clunky and contrived to me. This is still straight square monogamist kids "experimenting", except maybe for Katy. That is a failure in the sense that the heart and soul of friends that I have who live in this way is a success, a successful evasion of society and a refutation of leaders, gurus, rock stars, prophets and other representatives. Parker is not someone who would be respected or heeded by people with actual commitment to the ethics Taylor's 'David' flirts with.
If anything, I think this is an excellently crafted piece of conservative Liberal propaganda, romanticizing and arrogantly belittling an apparently 'voiceless' (READ: forcefully scoured from representation in the media) but obviously present community that many mainstream, propagandized Americans are by now used to seeing on roads and in cities. The words take the tone of agreement and 'solidarity', but the subtle message is an erosion of the validity and actual success of this way of life for many who live it. And it is valid and successful, partly because it refuses exploitation and representation.
The description of the initial tryst with Katy, Liz and David approaches a low level of transcendental awe and reverence for the holy act of love, but falls flat. It doesn't have enough foreplay, gets off too quick and crawls out of bed as soon as its over, which lets me know that it is really just stroke material and not real devotion to the triumph and trials of love of many. And of course it HAS to be two girls, one boy.
My take-away: try harder suburban white kid. I come from the same place (WASPy, suburban Massachusetts) and also was introduced to punk and anarchy by CrimethInc in the late 90's, but that shit has gone out the window. The contributors and publishers quickly renounced any endorsement of the style club it spawned and the decade of repression that followed its release has unquestionably forced those who are serious about building a sincere life inside of the hollow, inhuman, bloodless class warfare that America holds up as its culture to adapt in profound and radical ways that trend directly towards stability of food, family and community. Smashing shit is not going to help us survive the end of oil and I am pretty sure that most punks who survive to age 23 or 24 have got that figured out.
I'm not all empty talk though: if Justin wants to call bullshit on my indictment, I invite him to contact me so we can hang out. Heck, I'll even collaborate on some writing.
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